cyrus av master manual

cyrus av master manual

Has had particular success with it's compact amplifiers which started out life as the Mission Cambridge in the early 1980's and has now evolved into the 70W remote controlled 8 vs2. Gallery Cyrus Gallery Integrated Amplifiers 1 2 3 6 6 DAC 6 XP 7 8 8 DAC 8 XP One One Cast Pre Amplifiers DAC XP Pre Pre X Pre XP AV Controllers AV5 Power Amplifiers Stereo 200 CD Players CD 6 CD 8 dAD 1 dAD 3 PCM II DACs Dacmaster Soundkey Tuners FM 7 Tuner Loudspeakers 780 781 782 HiFi Systems Lyric Three Catalogues Audio Products Audiophile Components Electronics Endless Possibilities HD Sound and Vision Hi-Fi Systems Products Contact Cyrus Audio Ltd, Ermine Business Park, Huntingdon, Cambridgeshire, PE29 6XY. England 44 (0) 1480 410900 For a list of authorised retailers please contact the company via their website. Cyrus is a trademark of that company. Hallmark of their design is easy upgrade path and high performance. Und so findet man in England zahlreiche, rein optisch unscheinbare High End Produkte, welche viele aufgemotzte Wattboliden im Stile W praktyce. Schweizer Kunden profitieren von einem befristeten Promotionsrabatt auf Cyrus Streamer. Thanks for your help in keeping things running smoothly!For a better experience, please enable JavaScript in your browser before proceeding. It may not display this or other websites correctly. You should upgrade or use an alternative browser. Being a Cyrus, I am confident that this unit would be a delight sonically. One with HDMI in-puts and out-puts, with internal HD audio decoding, etc? Dan. I used to have one and it certainly is a good unit. However, the lack of HD now lets it down and I have contacted Cyrus about HD upgrades and they told me there was nothing in the pipeline at present! We are not planning on releasing a new AV Master 8.0 with the features you mention. With kind regards Liz Holland-Hicken Now movies are as important to me as music, but you can't seem to get the best of both worlds, I'm sure Cyrus could manage it.http://www.tgn.ac.jp/usercontent/userfiles/compaq-presario-2100-manual-espa-ol.xml

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Plus I like the idea of getting a bit at a time, i.e. get some secondhand Cyrus powers, upgrade to monoblocks as when funds allow, etc. I suppose though they do primarily focus on stereo and will probably always be a bit behind the times with the Home Cinema side of things. (Ps, if you do think of getting an AV Master 8.0 I would like to warn you that there is an irritating delay when you switch source for the processor to decide how to decode the signal. What is more irritating is when this happens between ad breaks and programmes. Apart from this though it is a nice little processor) I want a Surround Sound Processor with as few 'bells-and-whistles' as possible; one that focuses on supreme sound quality - both for 2-channel stereo and multi-channel surround sound. A straight pass-through of signals would be fine. 2 HDMI in-puts and 1 HDMI out-put is sufficient for me. Even manual speaker set-up is fine for me. High-def audio codecs decoding is a must for me. That's pretty much it. Come on Cyrus! Dan. It's a real shame there's not more out there in such a guise. Naim's AV2 was the perfect example of this - pure audio only approach with all the typical Naim attributes applied to AV audio. Visual sources don't even go anywhere near it. It was a processor I was more than happy to build my whole system around, which I am slowly indeed doing. However, with the advent of the HD codecs and HDMI, it's looking slightly dated, especially at the price point. Arcam seem to be still striding forward with AV and they still have that audio slant. The AV600 seems to be very well received.I'm awaiting the first reviews of the processor version, 888, before I make any final decisions with all of this, but my gut feeling is this may be the answer for me personally in light of the tumbleweeds rolling through the AV department at Naim HQ. Stevey Based on the AVR600's glowing reviews, I would say that the AV888 will be a step-up in performance. I want something that is simple.http://kiev-opt.com.ua/userfiles/compaq-presario-1920-manual.xml

I do not have many requirements for my set-up. I just need 2 HDMI in-puts (1 for my Sony BDP-S5000ES Blu-ray Disc Player and 1 for my Sony Playstation 3) and 1 HDMI out-put (to my Sony Bravia 52-inch Full HD LCD TV). I need obviously 8 pre-outs (7 channels plus 1 sub-woofer), and 1 set of RCA analogue out-puts for my Cyrus CD 8 SE CD Player. I would rather pay that same amount of money for a lot less connectivity and features that I shall never use. I want my money to go to where it counts - audio quality and top-notch surround sound processing. Even though the AV888 will not be as feature-laden as, say, the Denon AVP-A1HDA (which costs a lot more than the Arcam AV888), it still has a lot more than I require. I think that I shall hang on to my superb (for the money) Marantz AV8003. It is obvious that the budget went mostly where it counts - sound quality. It has not that got that many 'bells-and-whistles' which is completely fine with me, but its audio performance is very good - for the money. Plus, with all this talk about HDMI v1.4, etc, perhaps it might be better waiting this out. Dan. All rights reserved. England and Wales company registration number 2008885.All rights reserved. England and Wales company registration number 2008885. For a better experience, please enable JavaScript in your browser before proceeding. It may not display this or other websites correctly. You should upgrade or use an alternative browser. The only issue I have (so far!) is that it’s analog only. I have a toslink audio output on my tv, can anyone recommend a converter that will retain the surround coding to pass it on to the rca input on the Cyrus AV Master. I’ve seen plenty that will do left and right channel only, but not one that’ll do 5.1 through twin rca. Any help greatly appreciated. The Cyrus AV Master is a stereo Input device which adds its own processing to create a 'surround sound' effect.

If your TV lacks a Stereo analogue Output you will require an Optical to 2RCA converter and set the TV to PCM audio Out - that way the TV will down mix everything to 2.0 PCM which the AV Master can then process and play out as Stereo or, if you have the full multi-channel Cyrus system, allow you to choose the most suitable processing Mode. Joe I assumed the AV Master was a true surround processor, silly me. The system is comprised of Mission Freedom-5 front speakers, a Mission 75-C center speaker, Mission 70-DS rears and a Mission 75-AS sub. The Cyrus AV Master which does the center channel, a Musical Fidelity F-18 for front left and right, and a Cyrus Power for the rear channels. I also have my own Harmon Kardon amp which has a full set of pre-outs, and, as you said, the AV Master only has a “surround effect” so I think I’ll feed the amps from the Harmon Kardon so that I’ll have real surround. Any stereo signal recorded in Dolby surround used a matrix encoding system where the centre channel was recorded equally on the left and right and a mono surround signal was encoded out of phase and bandwidth limited.Very primitive by todays standards. I had an AV Master when it first came out and it can decode Dolby Pro-Logic from an analogue stereo input but only if the stereo source has been encoded that way. It is a proper surround format rather than just a surround effect, but I am not sure how much stereo audio includes analogue Dolby surround these days. Join the AVForums team live on Sundays at 7pm. The centre channel amplifier is very, very good indeed. Brand name is famous Japanese Matsunaga.It can drive anything. It is a must for Those whose use Japanese audio gears specially heavy mono block transistor power amp. I use it to drive my big accuphase power amp, big heavy 100v mono block Sony power amp, 2 x monoblock Luxman valve power amp and all other 100v gears from CD transport, pre amp and Dac.It is run very very quite, no noise, no hum.

It is the best and powerfull step down isolation 100v You can find out there. Out put voltage always stable at 100v no change. Happy shopping all. Photos:It has been an integral part of my system until recently and provides a serious upgrade for the money. Highly recommended. Also included is a bound set of printed instructions. I now use Roon convolution instead which reduced the box count. These are easily available but happy to talk about it.However, technically and sonically this is the best and most advanced amplifier that we've ever build. Of course this amplifier also uses the concept of active balanced headphone ground. Within this concept each headphone connection wire carries an additional signal such that the sum of the potentials of the wires equals zero. This strongly minimizes the energies stored and released in the electrical fields inside the headphone cable when an audio-signal is applied. The influence of the wire on the sound is thus reduced. Moreover, with active ground pollution of the internal signal ground by strong driving currents is eliminated and the power-supply-rejection-ratio at the output stages is strongly improved. Thus the best conditions are given for a clean and undistorted sound. Active balanced headphone ground offers most of the advantages of a true balanced headphone setup without the need of balanced connections. It can be used with any conventional dynamic or magneplanar headphone. The volume control is technically very sophisticated. The position of the potentiometer is measured with the use of an AD-converter. The output of this converter is then used to switch a bank of relais to set the proper volume level. There are a total of 64 levels which allows for very small stepsizes and a very analog feeling. The advantages of this concept are strongly reduced channel-imbalances and a much cleaner and more detailed sound. The use of a conventional stereo-potentiometer does add its own sonic signature which is now prevented.

The amplification section is build around AD797 opamps biased into class-A. For the output stages BUF634 buffer amplifiers are used. These integrated circuits are very fast and thus allows the output signals to follow the input signals very closely. The amp is DC-coupled and any capacitors found in the signal path are of the highest quality polypropylen and polystyrol. A very extensive powersupply, a large number of power-regulators, and a total filter capacity of 80.000 microF (!!) assure the best working conditions for any part of the circuitry. The built-in crossfeed filter is a frequency-extended version of the natural crossfeed found in previous CORDA amplifiers and provides even better imaging. It also offers three intensity levels (Stereo, medium, high). To compensate for the psycho-acoustic bass-loss a separate switch allows to slightly increase lower-frequencies. Technically the CLASSIC is an extremely advanced headphone amplifier and offers excellent value-for-money!Our publication is supported by its audience. By clicking links on our site, we may earn affiliate commission, but our editorial remains entirely independent and unbiased. Australian Business Number 79 662 719 408. Please use the form below to log in, or click the 'sign-up' tab to create a new account. Please let us know if you have any questions or comment on how we run Hifi-Manuals. We currently have over 65.000 audio manuals available in more than 750 different brands. Everything on this site can be downloaded for free. Simply use our search form above to find your desired manual, and download it for free. You can download a maximum of 3 items a day. Ballantyne Bang and Olufsen Barthe BASF Basis Audio Bay Audio Unity Audio Universal Remote Control VAC Vandersteen Audio Vaux Electronics Velleman Velodyne Acoustics Verdier Vidikron This data is collected and thus shared with Google. Got it.

The Core Policy Focus on the pdf document, not product model Focus on English, not multilingual Focus on consumer electronics, digital products, automobile and household appliance Clear repeated documents with the same content of different file names Keep one pdf file applied to multiple product models and multilingual Non-English user's guide, owner's manual and operating instruction will be delisted. Learn more - opens in a new window or tab This amount is subject to change until you make payment. For additional information, see the Global Shipping Programme terms and conditions - opens in a new window or tab This amount is subject to change until you make payment. If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable. For additional information, see the Global Shipping Programme terms and conditions - opens in a new window or tab Delivery times may vary, especially during peak periods. Learn More - opens in a new window or tab Learn More - opens in a new window or tab Learn More - opens in a new window or tab Learn More - opens in a new window or tab Learn More - opens in a new window or tab Learn more The item may have some signs of cosmetic wear, but is fully This item may be a floor model or an item that has been returned to the seller after a period of use. See the seller’s listing for full details and description of any imperfections. Contact the seller - opens in a new window or tab and request a postage method to your location. Please enter a valid postcode. Please enter a number less than or equal to 0. All Rights Reserved. User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. Last ye Page 26 and 27: 24 upgrade chart two-channel system Page 28: 26 Over the last 25 years Cyrus has Page 31 and 32: Cyrus 6 vs2 Cyrus 8 vs2 FM 6 DAB 8. Page 33: Cyrus Interconnect Cyrus speaker ca Thank you, for helping us keep this platform clean. The editors will have a look at it as soon as possible.

Something went wrong. Cyrus CDi CD Player Black ?1,195.00 Make offer - Cyrus CDi CD Player Black Cyrus CDt Compact Disc Transport Black ?895.00 Make offer - Cyrus CDt Compact Disc Transport Black Cyrus 6vs Amp and Cyrus 6s CD player ?375.00 Make offer - Cyrus 6vs Amp and Cyrus 6s CD player Go to next slide - Make an offer Love a great deal Discover prices you can’t resist. Unlike most CD player manufacturers who use modified standard CD ROM drivers to read disk data, Cyrus Audio has its own proprietary software that allows its CD players to extract 15% more data. You can find a wide range of Cyrus Audio products on eBay. What is the Servo Evolution disc reading engine. The Servo Evolution disk reading engine is Cyrus Audio’s proprietary CD reading software that reads disks to deliver optimal data. It is this unique approach to data acquisition that allows Cyrus CD players to deliver incredible sound quality. Servo Evolution is capable of reading more data correctly on the first pass than any other CD ROM driver, achieving error rates that are up to 5 times lower than those achieved by standard drivers. How does error-free data delivery mean improved sound quality. Most CD ROM drives are designed to read data as quickly as possible. To achieve a remarkably low error rate, Cyrus uses a bespoke CD ROM that focuses the laser with pinpoint accuracy. This ensures that the CD ROM is able to precisely track the data spiral burned into the disk, extracting more data on the first pass. It is a common misconception that CD data is extracted digitally, and is therefore flawless. CD players convert data read by the laser into an analogue signal, and the quality of this signal is directly proportionate to the number of disk-read errors that are passed on to the digitising process. Cyrus’s Servo Evolution technology is the most accurate compact disk data recovery software in existence due to the following: Reads disks at 1x speed. Optimised for accuracy not speed.

Cyrus Servo Evolution delivers a 20% lower bit error rate than it’s closest rival. Is Servo Evolution technology like buffering and error correction. Many Hi-Fi manufacturers rely on buffering and error correction technologies to improve signal quality since they do not have access to the high-accuracy data retrieval achieved by Cyrus Servo Evolution. These post data collection methods attempt to improve the data integrity of low-definition servos found in OEM CD Roms, and should not be confused with high-resolution Servo technology. Content provided for informational purposes only.User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. Quattro Icon Line Preise Cyrus 5 Cyrus 7 Cyrus aCA7 MC-Systembus kann noch mehr:mit anderen Cyrus Komponenten verbunden, sorgtLine CYRUS 5 Auswirkungen sind immens. Partner der Cyrus Endstufen wird.Die Ausstattung umfasst die intelligenteIn sich vollkommen stimmig, erlaubtPreise:siehe am Ende der Seite Als Fortsetzung der PhilosophieDie symmetrische Schaltung. Relais schalten diePreise:siehe am Ende der Seite Es ist der Beginn eines Cyrus Systems in VerbindungSteckkarte wird daraus ein Multiroom System. Mit dem neuen digitalen FunkfernsteuersystemDas Result ist gesteigerteKomponenten. Preise:siehe am Ende der Seite Mono aPA7 und aPA7.5 150 Watt Endstufe. Cyrus Null-GegenkopplungTechnologie undLeistungsendstufe Es ist eine extrem flexible Endstufe, die Mit dem Ausbau des HiFi-SystemsPSX-R erforderlich. Preise:siehe am Ende der Seite Um mit der schnellen Weiterentwicklung der Wandlertechnik Schritt zu halten, Klarheit kosten und dem Mittenbereich verwischen.Laseroptik garantiert langzeitstabiles Verhalten und tastet fehlerfreie. Information von der CD ab.Timing, Raumtiefe und Sauberkeit. Preise:siehe am Ende der Seite Netzteilentkopplung verschiedener Baugruppen, MC-Bus Systemfernbedienung. Einfach auf die Cyrus dAD3.

Hauptplatine aufstecken, 2 interne Jumper umstecken, schon wird aus demAnalog - Wandler Modul hat zwei Mono 18-bit Converter, die auf 8-fach OversamplingProblemen von Welligkeit des Frequenzgang und Phasenverschiebung. BesondersFrequenzen mit absoluter Reinheit arbeiten. Modul auf der Basis des Cyrus CD7 CD-Players und DVD7 DVD-PlayersEinfach auf die HauptplatineMit dem Cyrus. PSX-R wird konsequent die Stromversorgung verbessert. Die Wirkung des PSX-R. Mit dem neuenLive Connection): Mehr Kraft, mehr Raum. Mit dem neuen CD7 erreichtEine spezielle. Plattform mit gezielter Ankopplung steigert Dynamik, Reinheit, Raumabbildung. Preise:siehe am Ende der Seite Cyrus FM7 besitzt einen einzigartigen Abstimmechanismus, dessen. Zusammen mit dem absolut linearen Zwischenfrequenzteil verringert diesPreise:siehe am Ende der Seite Fernbedienung und MC-Bus zurDTS and Dolby Pro Logic Kodierung.Preise:siehe am Ende der Seite Cyrus auf die Frage nach einem DVD-Player mit besten KlangeigenschaftenUm mit der schnellen Weiterentwicklung der Wandlertechnik Schritt zu halten,DAD3 ! TestMehr Info aufPreise:siehe am Ende der Seite Tuner Cyrus FM 7 und Cyrus CD-Player werden. Eine integrierteDabei haben die Funkfernbedienungen ReichweitenPreise:siehe am Ende der Seite Audio- und Lautsprecher-Kabel auf. CDs auf. Hark kann wahlweiseCyrus-Komponente(n) vom Untergrund. Der Zugewinn auf klanglicher Ebene:Jahre) Mission 4 Cyrus ziehen und gewinnen! Mission und Cyrus, Huntington, England. Dann Bi-Amping.Klang wird etwas knackiger.Das Digitalkabel wird durch. Netzverteilung oder spezielle Netzleiste Netzspinne, Live Connection. Chassis die Schrauben nachziehen.Cinch-Klinke, nicht herausziehen, wenn Endstufe eingeschaltet ist. Aus. AnfrageSie ist sonst leer, wenn man sie wiederLeider fangen KabelEine neue Methode, entwickeltSie unsere Website Netzleitungen, Netzdosen, Audiokabeln, Digitalkabeln und Lautsprecherleitungen! Der Signalweg wird nicht unterbrochen, sondern parallel am Ende der Leitung.

Brillanz des Klangbildes sind beachtlich. Wer die Klarheit und FeinzeichnungMacht es dieAcrobat Reader kann kostenlos von der. Adobe Website geladen werden:. Q24, dAD3, dAD1.5 Warenzeichen von Cyrus Electronics. Dolby, Pro Logic, AC-3 und das Doppel-DDTS ist Warenzeichen von Digital Theater Systems inc. Zielgruppen. Mission steht auf. The AV Master has a built in 65watt monoblock amplifier for your centre speaker and 4 inputs. Provides 5.1 surround sound acting as a pre amp for the rest of your system. Will be well packed for transit and is complete with power lead, remote and copy of the manual. Carriage cost to UK Mainland only - Highlands, IOW, IOM, NI etc please ask. Item will be well packed if sent by carrier to avoid damage in transit. You are the light of the world. Don’t dismiss that point. It’s actually critical to target sales. I say again, the 6000A looks like a traditional integrated amplifier. It looks safe. It looks steady and solid. It doesn’t try anything fancy. You would never accuse the chassis of ever emerging from an Italian design studio. There’s no chic fashion sense with this one. If you saw this box in the 80s, it would look rather racy, that’s for sure, but it wouldn’t look too out of place. And that’s important. Weird and even slightly off-kilter designs can scare and make certain hi-fi fans feel uncomfortable. Even slightly conservative half-width amplifiers can be an issue for some. You can see it for what it is at 30 paces. Again, I’m not damning this amp with faint praise when I say that. That’s not a bad thing. It’s a firm design choice. Jan Ertner took the basis of the latter to create the former which meant that hard won knowledge was now being refined and improved upon. There’s nothing worse than a single line of products that feature a host of designers who not only constantly reinvent the wheel but often make the same old mistakes over and over again (it’s happened many times in the past). Not here.

So I already had a sense of confidence going into this one. The ES9018 Sabre32 Reference DAC is one of those, featuring 32bit HyperStream architecture and Time Domain Jitter Eliminator. Again, this chip is not a foreign component. You’ll find it in the company’s M-DAC. Continuity again. Tagged to these are user-selectable digital filters: Fast Roll-Off, Slow Roll-Off and Minimum Phase. I’ll say now that I normally hate these sort of things. Anything that takes me away from a pure, default, flat signal is an experience as near to abhorrent as I’m likely to find. That said, I’ll give them all a test in due course. The idea is to reduce the strain upon the amplifier and to maintain a sort of backup of power, ready to use. I played Into the Wonderland, featuring vocals by Wendy Roberts. A sweet, beautifully melodic and slightly melancholic, low key ballad with a high-energy, rocking finish. This amplifier is not shy, it doesn’t try to hide any aspect of its sound envelope. The 6000A will never die wondering. That is, the 6000A gives its all in the cause of making you happy. This is not always the case for mid-placed budget equipment. Bass is often sacrificed or at least trimmed to some extent. Even the best sub-?1,000 amplifiers out there love to trim bass. It’s a cost issue. That doesn’t happen with the 6000A. That means that both the percussion and bass guitar were not only able to ground the music and stop it flapping in the wind but also offer a solid, rhythmic pace to the whole arrangement. That is, there was a sense of order here. The music flowed with an added, deeper groove. The structure was both solid and funky. This is another reason that may sub-?1000 amplifiers are rather bass shy. Most of them can’t handle it. Too much of it, at any rate. Again, that never occurred with the 6000A. Frequency discipline was paramount so bass stayed put and never bloomed into the mids.

If I was going to pin one all-important factor for the success of the 6000A it would be tonal balance. In fact, you could ally tonal balance as being the killer feature of the 6000A. The headline. Tonal balance is the underlying strength of the 6000A. I really haven’t heard anything like it under ?1,000. I never saw reverb tails of filigree lattice flowing from cymbal taps but this is a ?599 amplifier we’re talking about here, not a ?5,999 design. So no, don’t expect that but do expect to hear everything that a ?599 amplifier can provide: complex and chaotic lead guitar with enough precision to make sense, wind instruments that feature a character and lightness of touch and a layered soundstage that revealed even shy instruments lurking at the rear of the mix. An external model is better but the internal model will be fine for those of a budget. Buy an external model when you can, though. That is, you select Bluetooth as a source on the amplifier and the 6000A pops up on your Bluetooth screen on your phone. Painless and easy pairing. I played Marvin Gaye’s Mercy Mercy Me as a lossy file. Often, playing such a file in this way results in a bright and edgy play response but not here. The 6000A was able to calm any possible issues. So while the midrange was lacking insight, bass was hardly focused and treble was almost a non-entity, none of that was the 6000A’s fault. In fact, the 6000A made the best of a bad job, providing a perfectly listenable track without any nasty sonic responses. What I liked about the 6000A’s take on Bluetooth was the creation of a wide soundstage and, because lots of space was now on offer, the instrumental separation that also followed. Allowing each instrument within the mix to be presented on its own, adding to the complexity of the presentation. To such an extent that the compressed element was no longer a real issue.

The potentially chaotic resonance of the piano was handled well by the 6000A in terms of control while the nuanced nature of the keys and pedals from the Satie piano was transcribed with both ease and insight to give the performance a sense of delicacy alongside that sense of authority. In the 6000A’s manual, the Phase filter is talked about as if the resultant sound resembled analogue but I had to disagree. The presentation emerged from cotton wool, sounding overly damped with a lack of precision and midrange insight. I hold my hands up here. I had to eat my words with these filters because my preference leaned towards the Slow filter which I actually found superior to Fast. The latter is supposed to be default and flat but I found Fast to be a touch edgy. I never thought I would actually hear a usable filter on any piece of hi-fi equipment but, blow me down, Audiolab has created the very thing. Critical if you’re sound testing the 6000A and the DAC is significant to you. Make sure you properly review the amplifier with each and every filter. Cycle through each in turn and give each one time. Punching in any one of these filters will change the inherent character of the 6000A’s DAC. For example, if you talked to me about the 6000A having only listened to the Fast filter and I replied to you having only listened to the Slow filter, we’d effectively be talking about two different amps. Listen to your Uncle Paul on this one. While there may have been a limit on midrange extension, within the confines of the head amp’s performance envelope, the sound was admirable indeed offering plenty of refined detail on offer plus light and shade to add interest. Some hi-fi components do one thing very well and if you’re looking at a budget component that can often be a fascinating experience because build budgets often preclude a generally good performance. The 6000A is one of those pieces of kit that does its best to do everything very well indeed.

That high ceiling that higher-end amplifiers provide to allow the upper midrange to soar. But then they will fall over very badly in other areas because too much emphasis has been placed upon that soaring thing for the build budget limits. So, for example, you may come across an amplifier that offers great midrange extension but the bass will be lacking. In other words, you go too far in one direction. You pay for it in another. It never actually falls down.It’s the perfect compromise. Every part of the sound envelope has been looked at and enhanced to the point when the money ran out. Then Audiolab stopped at that point. For ?699? Everything would have been improved a bit more still. You see? The 6000A is even handed, offers great sound and is one of the best value amplifiers on the market. If you want to hear how your money has been spent, buy a 6000A. Who’d have thought? I have worked within a range of industries, writing for hundreds of national magazines and newspapers in the UK, Europe and the USA covering: aviation, music, computer technology, computer gaming, hi-fi, mobile technology, home automation, lady’s lifestyle, plastic model making, antiques and more.Currently using an Emotiva TA-100 The audiolab output is 50w (with maximum current delivery of 9 Amps into difficult loads).My gut reaction though is that the amp will perform fine BUT I’d still advise you to look at something more powerful to allow the amp to offer reserves of power. Sometimes, when an amp does a decent job but has to strain a bit to do it, you can hear that in the sound. There’s a lack of confidence. What’s your budget? I would like to consider the 6000a as a decent single piece that can connect between the Techincs 1200GR and the MA Silver 200 without being a serious bottleneck, while supporting also cd player and Bluetooth sources.